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Category: Production

High Def Production

1080 or 720, Which is Better for Me?

23.98p (24p) for Film Style Production

24p and 23.98p. Which Do I Use?

Achieving Film Look in HD

Avoiding Moiré Pattern

Can I Shoot 720p and Deliver 1080i or 1080p?

Can I Shoot DigiBeta and Upconvert?

CineAlta

Compression in HD

Convergence in S3D Systems

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Browse Tips

  • ▼HD TIPS
    • ►Audio
    • ►Consumer HD
    • ►D-cinema
    • ►Equipment
    • ►Organizations
    • ►Post Production
    • ▼Production
      • 1080 or 720, Which is Better for Me?
      • 23.98p (24p) for Film Style Production
      • 24p and 23.98p. Which Do I Use?
      • Achieving Film Look in HD
      • Avoiding Moiré Pattern
      • Can I Shoot 720p and Deliver 1080i or 1080p?
      • Can I Shoot DigiBeta and Upconvert?
      • CineAlta
      • Compression in HD
      • Convergence in S3D Systems
      • Costumes and Makeup in HD
      • Dailies and Rushes
      • DF or NDF Timecode in HD
      • Digital Imaging Technician (DIT)
      • HD Acquisition Options
      • HD Blank Tape Length
      • HD Cameras
      • Is HD Better Than Film?
      • Is HDV Good Enough for Broadcast?
      • Lenses for HD
      • Shooting To a Drive. Must Deliver Camera Masters To Network.
      • Slow Motion for Live Switched Events
      • Stereoscopic (3D) Production
      • Stereoscopic Films
      • Varicam 23.98p
      • What is 24p?
      • What’s a Good Workflow?
    • ►Technical Info
  • ►TOOLS
  • ►Uncategorized
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