HDHEAD | a resource for film & TV professionals

Search
Skip to content
  • Home
  • Articles
  • Tools
  • DS
  • Glossary
  • About
  • Contact

Category: Post Production

High Def Post Production

Film Speed in Europe vs. the U.S.

Flicker on HD Monitors

HD Blank Tape Length

HD Closed Captioning

Illegal Video Levels

Inverse Telecine

Judder in 23.98p HD

Mixing and Matching Formats

NLE. What is It?

Offline Edit in HD

Posts navigation

← Previous 1 2 3 4 5 Next →

Most Read

  • Safe Title in HD? 41,545 views
  • Avid to Resolve Marker Converter 18,666 views
  • HD vs. SD Size Difference 16,361 views
  • 24p and 23.98p. Which Do I Use? 11,778 views
  • Avid Media Composer Marker Converter 8,992 views
  • Resolve Marker Converter 8,637 views
  • DF or NDF Timecode in HD 8,368 views
  • Tools 7,986 views
  • Resolve Database Backup 5,993 views
  • Avoiding Moiré Pattern 4,676 views

Browse Tips

  • ▼HD TIPS
    • ►Audio
    • ►Consumer HD
    • ►D-cinema
    • ►Equipment
    • ►Organizations
    • ▼Post Production
      • 3:2 (2:3) Pulldown in HD
      • AAF, AFE, OMFI?
      • Advanced Pulldown 24pA
      • Can I Shoot 720p and Deliver 1080i or 1080p?
      • Can I Shoot DigiBeta and Upconvert?
      • Capturing
      • Clipping and Crushing Video?
      • Compression in HD
      • Convergence in S3D Systems
      • Crossconversions
      • Delivering SD and HD Masters. Do I Need Two Online Sessions?
      • Dense Disparity Map (Depth Map)
      • DF or NDF Timecode for Downconversions
      • DF or NDF Timecode in HD
      • Digitizing
      • Does it Take More Time to Edit HD Than SD?
      • Downconversions to SD
      • DPI Setting for HD Graphics
      • EDL in 23.98p
      • EDL, What is It?
      • Film Speed in Europe vs. the U.S.
      • Flicker on HD Monitors
      • HD Blank Tape Length
      • HD Closed Captioning
      • Illegal Video Levels
      • Inverse Telecine
      • Judder in 23.98p HD
      • Mixing and Matching Formats
      • NLE. What is It?
      • Offline Edit in HD
      • Pan and Scan
      • Preparing Graphics for HD
      • RED Proxy Files, Where Did They Go?
      • Rendering CGI in HD
      • Repurposing Library Material?
      • Safe Title in HD?
      • SD Downconversions for Offline Edit
      • Slow Motion in Post
      • Stereoscopic Conversion
      • Stereoscopic Inpainting
      • Stereoscopic Post Production
      • Subtitles in Stereoscopic 3D
      • Upconverting from SD
      • Uprezing/Upresing
      • What is 24p?
      • What’s a Good Workflow?
      • Widescreen
    • ►Production
    • ►Technical Info
  • ►TOOLS
  • ►Uncategorized
Subscribe via RSS
Industry Press Releases | Terms of Use
Proudly powered by WordPress
We use cookies to ensure that we give you the best experience on our website. If you use our online tools we retain the files you upload and the files you download for thirty days. We do not share these files with anyone not authorized by you. If you continue to use this site we will assume that you understand how we manage your data.Ok