The slomo is better than ever.<\/p>\n
Slow motion playback can be achieved in two ways in post production.<\/p>\n
Every NLE<\/a> has a built in slo-mo capability. Some do their job better than others. There are also high end plugins which can analyze motion and create new video frames by using sophisticated mathematical calculations.<\/p>\n Varicam<\/a> cameras from Panasonic shoot at 59.94p regardless of the intended frame rate. For example if you are shooting a film production at 23.98p the camera is really shooting 29.94p and using an equivalent of 3:2 pulldown<\/a> to achieve the cadence of film. This feature can be used for acquisition of off speed shots much the same way a film camera can be overcrancked or undercrancked.<\/p>\n When you shoot at higher frame rate the result in post production is slow motion. When you shoot are lower frame rate the result in post production is fast motion.<\/p>\n Click here<\/a> for slow motion for live switched events.<\/p>\n","protected":false},"excerpt":{"rendered":" The slomo is better than ever. Slow motion playback can be achieved in two ways in post production. Every NLE has a built in slo-mo capability. Some do their job better than others. There are also high end plugins which can analyze motion and create new video frames by using sophisticated mathematical calculations. Varicam cameras … Continue reading Slow Motion in Post<\/span>