{"id":230,"date":"2010-03-26T20:42:01","date_gmt":"2010-03-27T04:42:01","guid":{"rendered":"http:\/\/www.hdhead.com\/?p=230"},"modified":"2010-03-26T20:42:01","modified_gmt":"2010-03-27T04:42:01","slug":"best-behind-the-scenes-doc-at-168-film-fest","status":"publish","type":"post","link":"https:\/\/www.hdhead.com\/?p=230","title":{"rendered":"Best Behind-the-scenes Doc at 168 Fest"},"content":{"rendered":"<p><em>Trade Paper\u2019s Red Carpet Videographer &amp; Ex-Int\u2019l Editor Find Selves Up<\/em><\/p>\n<p><em>For Syndie-Quality \u2018Making of\u2019 Program on their own Speed Filmmaking Project<\/em><br \/>\nLOS ANGELES (Fri. Mar. 12, 2010) \u2014 \u201cFocal Lengths: The Making of \u2018Connectivity,\u2019\u201d an \u201cAccess Hollywood\u201d-style feature segment produced by television producer-turned-cinematographer and onetime cameraman for The Hollywood Reporter\u2019s cable coverage of celebrity arrivals at movie premieres Pete Brown and co-produced by former associate international editor of The Hollywood Reporter Scotty Dugan, has been nominated for Best Behind-the-Scenes documentary in the 168 Film Festival (www.168project.com), it was announced today by John David Ware, founder of the timed competition.<br \/>\nThe \u201cmaking-of\u201d-format entry in the eight-year-old faith-based project \u2014 whereby nearly 100 teams<br \/>\nfrom around the world had one week (or 168 hours) in February to shoot, edit and score a short film based on randomly assigned Bible verses \u2014 concentrates on the actual film its DP Brown, former producer at CA\/AZ\/NV TV25 and a camera operator on the first film shot on the RED camera ever to win a festival (\u201cStained\u201d) and journalist-turned-publicist-turned-filmmaker Dugan helped make for the 168, the marital drama \u201cConnectivity\u201d about a husband on the verge of his own Jesse James\/Sandra Bullock moment.<br \/>\n\u201cIt\u2019s rare even at the studio level that both a film and its documentary perform to equivalent effect,\u201d<br \/>\nsaid \u201cConnectivity\u201d director-producer Elena Beuca, whose team scored nominations for Best Actress,<br \/>\nSupporting Actress and Original Score by judges including \u201cX-Men\u201d producer Ralph Winter and \u201cTouched by an Angel\u201d writer-producer Brian Bird. \u201cBut since the 168 introduced the BTS category a few years ago, guys like Pete and Scotty have upped the entertainment quotient to what the 168 offers.\u201d<br \/>\nThe pair\u2019s doc, which unspools Sat. Mar. 27 at 10 a.m. at the Alex Theater in Glendale, CA, was a<br \/>\nlark Brown pursued on the chance he might have a few days after post on \u201cConnectivity\u201d to package an entertaining look at the oft-painful process such competitions as the 168 and the 48-Hour Film Festival engender. Once A-list camera operator Ron Vidor (\u201cJaws,\u201d \u201cLethal Weapon\u201d) joined the crew with Steadicam in tow for a hospital E.R. scene Beuca and writer-actor-husband Dave Rogers incorporated into the story, Brown suspected he had as compelling a BTS as the film was an entry.<\/p>\n<p>Brown, whom Beuca elevated to producer after marveling at not just the ex-Mohave Community<br \/>\nCollege film instructor\u2019s reel but his contacts and work ethic, conscripted Dugan, who, as a former<br \/>\npersonality at K-ORANGE radio in Orange County and TV anchor in Boston, suggested the BTS \u201cgo EPK contemporary,\u201d Brown recalled Dugan as saying, with real in-studio interviews. The two quickly landed editor Wilson Stiner, \u201cwhose emphasis on thru-line helped the show find its narrative voice,\u201d Brown said.<br \/>\nCONTACT:<br \/>\nScotty Dugan, duganstory@yahoo.com 10061 Riverside Dr. #200 North Hollywood, CA 91602 Tel. 435-901-1483<\/p>\n<p>Pete Brown, 800-467-7525, info@petebrown.tv<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Trade Paper\u2019s Red Carpet Videographer &amp; Ex-Int\u2019l Editor Find Selves Up For Syndie-Quality \u2018Making of\u2019 Program on their own Speed Filmmaking Project LOS ANGELES (Fri. Mar. 12, 2010) \u2014 \u201cFocal Lengths: The Making of \u2018Connectivity,\u2019\u201d an \u201cAccess Hollywood\u201d-style feature segment produced by television producer-turned-cinematographer and onetime cameraman for The Hollywood Reporter\u2019s cable coverage of celebrity &hellip; <a href=\"https:\/\/www.hdhead.com\/?p=230\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Best Behind-the-scenes Doc at 168 Fest<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-230","post","type-post","status-publish","format-standard","hentry","category-industry-press-releases"],"_links":{"self":[{"href":"https:\/\/www.hdhead.com\/index.php?rest_route=\/wp\/v2\/posts\/230","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.hdhead.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.hdhead.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.hdhead.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.hdhead.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=230"}],"version-history":[{"count":0,"href":"https:\/\/www.hdhead.com\/index.php?rest_route=\/wp\/v2\/posts\/230\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.hdhead.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=230"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.hdhead.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=230"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.hdhead.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=230"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}